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History Month

The York Lesbian Festival

The concept of a purely lesbian festival (rather than the LGBT kind) arose from a number of small literary events put on by Libertas! during 1999. Well known authors travelled to York to do a number of readings and it was noticed that the smaller, single-author readings in the shop attracted only a handful of people, whereas the two events featuring several authors in a hotel setting – the Virago Roadshow and a Crime Writing event featuring Alma Fritchley, Manda Scott and Val McDermid – were both oversubscribed.

 

Since the survival of Libertas! depended on selling books, the two owners, Jenny Roberts and Ann Croft came up with the idea of combining a big literary event with the regular Libertas! disco that was proving so popular.

The very first ‘book festival’ (actually called the Diva Roadshow) was held in the Autumn of 2000 at St John’s College with the enthusiastic backing of Diva Books, and featured a line up of their newly published authors including VG Lee, Katherine Bryson, Lee Maxwell, Diva Books editor Helen Sandler and Jenny herself.  Around 100 women attended this first event, lots of books were sold and the response was so enthusiastic that Jenny decided to expand the concept and hold a much bigger festival in the following year.

The Lesbian Pride Weekend in November 2001 initially featured 20 lesbian authors: Stella Duffy, Manda Scott, Alma Fritchley, Caeia March, Elizabeth Woodcraft, Helen Shacklady, Charlotte Mendelson, Val McDermid, Sandi Toksvig, Eleanor Hill, Jane Fletcher, Ali Smith, Rose Collis, Lisa Saffron, Jay Taverner, Linda Innes, Katherine Bryson, Lee Maxwell and VG Lee with Helen Sandler as chief moderator. To everyone’s great delight Sandi Toksvig agreed to do a full hour’s appearance and a young writer by the name of Sarah Waters, who was just beginning to make her mark as a leading writer, also agreed to come along. Anne Rippon gathered her full team of volunteer security stewards together for the first time at this event (though she, with some of the new team, had lent great assistance to Libertas! events from the very start).

 

No one got paid anything – even Sandi, like all the other authors, generously agreed to give her time for a modest £50 in expenses. Authors even paid their own hotel bills! And it is important to note that, without their generosity of spirit, the York Festivals would never have happened.

The 250 tickets for this first event sold out within a week, so an extra room was booked, more panels were added. The additional 150 tickets sold out within a other two weeks!. Jenny recalls, ‘It is difficult to describe the pure joy of this first big event. Most of the 400 women who attended did not go out on the scene. Many had been to mixed Pride events of course but this was their first taste of a big social event that was exclusively for them. What I remember most of all is the smiling faces and the laughter – two features that were to become the hallmark of all the festivals.’

The only sad thing about this first ‘proper’ festival was the number of women who were unable to get tickets because of the limited size of the venue. Jenny, thrilled by the success of her event and determined to give the lesbian community what it undoubtedly wanted, decided to put this right in the following year and - immediately after the 2001 event - she opened negotiations with York Racecourse Centre and with the York Barbican Concert Hall.

An even bigger ‘Lesbian Pride Weekend’ in 2002 was clearly what everyone wanted but it was also a major risk for Libertas! and for Jenny personally. The racecourse premises – the only ones in York that were suitable for such a specialised event – were expensive. The fee was around £6,500 just for the room hire costs. Add to that the need for staging, microphones, buses, authors’ fees, accommodation and expenses and the total costs soon rose well above £20,000. Added to that, the planned concert at the Barbican was likely to add a further £10,000 to the total bill. Jenny however was confident that enough tickets could be sold to make the event break even. Furthermore, the potential book sales, would, she hoped, be sufficient to shore up the loss-making Libertas! bookshop for another year.

 

She was also greatly encouraged by the enthusiastic support of so many volunteers – led once more by the indomitable Ann Rippon -who gave their time so willingly, Diva who supported the event with advertising and the authors and moderators who agreed to take part. While Jenny organised the Book Festival and related events, promoter Jean T came up from London and took charge of the concert.

Big names were booked for both events: Sarah Waters (by now becoming a true literary star with the publication of Fingersmith and the TV production of Tipping the Velvet), Sandi Toksvig, Stella Duffy, Ali Smith, Manda Scott and VG Lee at the Book Festival; and Rhona Cameron, Horse, Martha and Eve and the Electric Landladies  for the big concert. (Crin Claxton, who was to become the director of  the York Lesbian Arts Festival in 2007 and 2008, appeared at the Book Festival for the first time.)

 

Jenny again: ‘It took me virtually the whole year to organise this massively expanded festival and I was conscious throughout that it might all go badly wrong if the support was not there. By the time the 8th and 9th of November came along I could have been a nervous wreck but, as the Festival approached I was bowled over by the positive response from the lesbian community and the authors and artists. It was clear that we had tapped into something very special and very important..

‘On the weekend itself there were over 3000 lesbians enjoying themselves in York. Six hundred of them attended a Diva Party Night on the Friday evening (hosted by Claire Mooney with Clare Summerskill, Rosie Lugosi and Belinda O’Hooley. The Book Festival on the Saturday was a sell-out with 1300 tickets sold, as was the concert with all 1100 seats taken. There were guided walking tours of York, instigated by Jen Challinor, which again were fully subscribed, a film preview and popular writing workshops for aspiring authors. I don’t think that York had ever seen anything like it! But then, neither had any of us!

‘The atmosphere was brilliant. Taxi drivers remarked on how friendly everyone was, the venue managers were delighted with the good behaviour of the crowds (what did they expect!?) and (with only two exceptions) all the hotels and b & b’s proved friendly and welcoming to their lesbian guests (remember this was before Civil Partnership and the equality laws). Even the City Council stepped in with praise and the promise of future support for this unique event.

‘I’ve done many things in my life – from building up a successful printing business with 140 employees to running one of the world’s toughest long distance (154 miles) races - yet, if I had to choose one event in my life as the most rewarding, it would be the 2002 Lesbian Pride Weekend. It was simply amazing to see so many happy women in one place and to feel, like them, that we were all part of something so special. I couldn’t believe that it had been such an outstanding success. I was also relieved that it broke even, that there were no disasters and that we sold as many books in one day as we would normally sell in six weeks!

 

I remember that the shop was full to capacity nearly all day on the Sunday and that the shelves were almost bare by the late afternoon. It was all truly remarkable. I should add that running a lesbian bookshop eventually turned out to be a financially impossible task - we were in effect doing it for love - and the books sold at this festival enabled Libertas! to keep going for just a little longer.’

Letters of congratulation and support flooded in after the event, together with a few complaints that the event had not been political enough. There had been a debate in some of the panels over the future direction of the festival and whilst a minority demanded more feminist politics, the vast majority made it clear both at the festival and afterwards that the overall tone and mix was right, and that it should continue as it was.

Planning for the 2003 Festival began the week after. By popular vote, the name was changed to The Libertas Lesbian Arts Festival and it was extended to three days - with even more events. Once again thousands of lesbians flooded into York, holding hands in the street and charming just about everyone with their good nature and great sense of fun.

That year there were two big concerts at the Barbican instead of one, both organised by Jean T and featuring a sparkling array of lesbian stars including Sandi Toksvig, Julie Felix, Horse, Martha and Eve, Never the Bride, and from the USA, singing duo Halcyon. A film festival at City Screen featured lesbian classic films and, once again, the ever popular writers workshops were sold out.

 

At the two-day Book Festival, overseas authors appeared for the first time. They included cartoonist Alison Bechdel, crime writers  Katherine V Forrest and Claire McNab, and novelist Cathie Dunsford all the way from New Zealand. Many of the previous years British authors appeared again together with a host of debut authors and a star appearance from poet and author Jackie Kay who ended her performance with a standing ovation.

The new Saturday evening Women-Only Mega Disco attracted a record crowd of over 2000 and featured a live performance from the Electric Landladies and Halcyon as well as a surprise appearance of Scottish drumming group SheBoom. Simultaneously over the other side of town, Laure Meloy and Deborah Hannah were performing the lesbian opera ‘Patience and Sarah’.

Sunday noon saw an hour-long open air concert bang in the middle of York sponsored by the City Council. Hosted by Claire Mooney, the event featured the 20 strong, massively popular (and very loud!) SheBoom drummers and, in spite of the rain, attracted massive crowds of ordinary shoppers as well as many hundreds of lesbians.

The Festival ended with another sell-out event – an afternoon of poetry with Jackie Kay, a special event organised by York City Council.

Outstandingly successful as it was (and once again it broke even), the 2003 event was due to be the last. Jenny takes up the story again.

‘We had trailed the closing of the Libertas shop for many months ahead of the festival and explained that without the shop and its resources, it would be impossible for us to continue to organise such a massive event. Foolishly perhaps, I had thought that, that would be that. However, other people thought differently. A senior manager with York City Council contacted me weeks before the 2003 festival and told me that such an important event could not be allowed to lapse. Venue managers harangued me and refused to accept cancellation for the following year. Authors and performers told me that it had to continue and, once the festival was underway, I was buttonholed by one person after another and told in no uncertain times that the Festival must (somehow!) go on.

 

‘By the end of the festival I was once again overwhelmed by its success and its effect on all and sundry. I didn’t know how I could do it, but I was determined to try and ensure the continuance of the festival. I wrote to everyone I knew and asked for volunteers to organise future festivals and little by little I was able to gather a team of like-minded people who volunteered to organise at least one more.’

Festival stalwarts Helen Sandler, Jane Traies, Anne Rippon, Jen Challoner, Claire Mooney, Helen Shacklady, Pat Thynne and Ann Kaloski stepped forward and, with a little hand-holding by Jenny, and free facilities supplied by the City of York Council they set about forming a non-profit making company to run future events. It took them over a year to get through the legalities, get new funding, find sponsors and start organising the 2005 event but with long hours, hard work – and a lot of faith in the need for such an event – they did it!  Helen Sandler took over as Director in late 2004 and, with her new colleagues, they took the festival forward into the future, innovating, adapting and improving all the way – and, in spite of even greater costs, managed to break even once again.

The newly re-vamped York Lesbian Arts Festival (YLAF) took place at the racecourse again on the last weekend of October 2005 and was, once again, an outstanding success with the usual mix of popular events, plus new ones like a market place, new workshops, a big Club Night on two floors of the Racecourse building – and even more overseas celebrities at the book festival.

Thanks to the work of the YLAF board of trustees (including all the new members who stepped in so readily over the years) and an ever-growing team of dedicated volunteers, the festival continued to flourish. Helen Sandler organised a highly successful event again in 2006 and Crin Claxton carried the flag for 2007 and 2008, producing two excellent and highly enjoyable festivals.

It seems incredible that, in a world where alternative and voluntary events come and go like clockwork, the York lesbian Arts Festival has remained in such good health. There are thousands of women who clearly hope that it will remain so – not least Jenny herself.

 ‘When we held that first small literary event in 2000,’ she says, ‘ it never occurred to us that we might be starting something that would sweep across the lesbian world and become such an institution – probably the biggest event of its kind in the world. Like the current organisers, we never made a penny from all the hard work we put into the festival (nor from Libertas! itself come to that), but neither Ann nor myself would ever swap what, truly, has been the experience of a lifetime.

The really nice thing is that other people seem to feel the same way too.  It seems to have been a very special event for thousands of women. Hundreds of friendships have been formed (not least amongst the volunteers, writers and performers taking part), women have met and fallen in love at the festival, closeted lesbians have felt able to come out when they went home and women everywhere have felt good about being part of such a special community. EvenYork itself has acquired a reputation as a lesbian-friendly city and we still smile at the number of women who come here for a break and can be seen walking through the city, proudly holding hands.

‘Whether you call it the Diva Road Show, the Libertas Lesbian Pride Weekend, the Libertas Lesbian Arts Festival or YLAF, York’s unique lesbian festival is something that belongs to all of us, something that is part of our lesbian history - and something that, those of us who have enjoyed it, can look back at with affection. Let’s hope it continues for many years to come.’

 

 

http://www.gaymonitor.co.uk/chehistory.htm

 

CAMPAIGN FOR HOMOSEXUAL EQUALITY – A Short History

How it all startedCHE was the largest, most all embracing, most democratic – and most active - mass gay organisation England ever had.

Its time was 1960s, 1970s, and 80s.

It arose when enough gays became strong enough to publicly "come out" and say we are what we are and have a right – a human right - to equality within the law. This hadn’t happened before simply because queers - as gays were known and often called themselves – queers were just frightened to publicly say what they were.

The early moves to law reform were done FOR gays by straights – like J.B.Priestley, Leo Abse, Lord Arran - and the first UK gay activist Anthony Grey who was gay – but very quietly so. You had to be in those days. Antony did sterling work for law reform by lobbying the great and good, who would of course be non-gay. This group based in London called itself the Homosexual Law Reform Society and it had its charitable arm called The Albany Trust, after Albany off Piccadilly, London which was J.B.Priestley’s flat where the first meetings were held.

But by the 1960s gays themselves started to “come out” and most noteworthy, writing letters to the papers, and articles for left wing periodicals, was a colliery clerk, Allan Horsfall from Lancashire.

Out of Allan Horsfall’s energy a group gathered in Manchester to support Antony Grey in London and this group were more radical, and were mainly gay – and quite soon all gay – so it was out of Manchester a movement began to demand full law change. There must be equality: an end to discrimination and C H E as it became called advocated and worked for the practise and use by gays of their rights under the law. And to actively claim what should be their right.

So CHE Campaign for Homosexual Equality became this great national movement of a vast range of gays from Tories to Lefties, from north and south, from promiscuous to partnered – and it worked in two great areas – to lobby for Parliamentarians to change the law – and the harder work of having public opinion constantly being “educated”. And in a second way CHE was great in making pioneering moves to have society accept gays might want their own dances/clubs and ways of meeting. And meeting without fear.


 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Early CHE Handbill - 1966By the 1980s and 1990s many of the objectives had been won and as laws were changed, and gays took advantage, the need for a political mass movement on a CHE scale fell away. Many gays were starting living just normal lives – and partnering openly – and for those who wanted it - creating an open social life – of clubs: chat lines: personal ads: and even cruising pages on the Internet became eventually accepted.

While some gays later took a leaf from the U.S.A. experience and founded a copycat radical pink revolutionary path of Gay Liberation, CHE was always wary of Gay Lib – taking a much broader, all encompassing view that gays came in all shapes and shades and sizes – and true freedom would be when being gay no longer mattered. And of course C H E was democratic – the membership voted: the annual conferences passed binding motions in a trade union manner. It was “built in” though, that victory would be won when to be gay no longer mattered . It’d be the kind of quality of person you are that matters - a situation that has at last, as far as the written law is concerned, come to pass.

The successors to CHE were STONEWALL the professional lobby group who pushed through the final tidies to the law in a professional lobby way – and Peter Tatchell’s OUTRAGE who want freedoms we had won to happen in Zimbabwe and abroad, and wanted a more radical shake of sex politics/ thought. In fact on reflection STONEWALL is more like a successor to the lobby effort of Antony Grey’s Homosexual Law Reform Society, and Peter Tatchell’s OUTRAGE more a successor to the militant Gay Lib of Bob Mellors.

Gay Pride ? – well that today is a parade of hedonists – it’s a Mardi Gras and politics have gone. The need has passed. CHE trod the broad and middle ground – in a politically populist way and there’s no need for that now. So – although CHE does still exist – it is no way what it was and no other movement has or could come along and do what it did – for that time has thankfully passed and been won.

The founder of CHE was Allan Horsfall – a colliery clerk, and his partner Harold Pollard a primary school head. Allan is still alive and lives in Bolton, Greater Manchester. Early on CHE was greatly helped by the Church of England in Manchester Diocese who provided the early meeting rooms at the Board for Social Responsibility offices in Blackfriars Road, Salford. And provided CHE with its first chairman – a non gay Scot, Colin Harvey, who worked full time as a lay worker for the Church of England Manchester Diocese and was a greats supporter of gay rights.

CHE’s early development was also greatly helped by the then Bishop of Middleton (Manchester), another non gay, Ted Wickham, a Cockney, who was willing to stand out and be the first Vice-President of the early CHE.
As was Neil Pearson, a leading Manchester solicitor, who was the first President.

CHE collected a GOOD BODY, an honourable body, of Vice Presidents – these things were very necessary in those days – but the main bulk of the early committees – and later of all committees were of gays themselves who were the first to “come out”.

Other vice-presidents included:-

Professor Colin Adamson, D.SC., M.Sc,Eng, MIEE

The Very Rev. Alfred Jowett, MA, Dean of Manchester

Sir Alfred Ayer, FBA

Peter Katin

Lord Beaumont of Whitely

Josephine Klein, PhD

Humphry Berkeley

Dr Arnold Linken, MB, B.Ch

Anthony Blond

Peter Maxwell Davies

Bridgid Brophy

George Melly

Dr R. W. Burslem, M.D., FRCOG

Dr Jonathan Miller

Robert Chartham PhD

Richard Neville

Rev. Tony Cross, MA

Rev Dr Norman Pittenger

Michael De-la-Noy

Harold Pollard

Margaret Drabble

Rt Rev John Robinson

Martin Ennals

Michael Scofield

Professor Anthony Flew, MA

Dr Maurice Silverman, MD, DPM.

Peter Hain

Tony Smythe

Ian Harvey

Donald Soper

Dr James Hemming

Peter Wildeblood

David Hockney

Angus Wilson

H. Montgomery Hyde

Dr Michael Winstanley

The work of CHE fell roughly into two areas –

o        There was the lobbying of the parliamentarians to change the law – and the writing and speaking to change public opinion – from a position where all male gay sex was illegal.

o        Was to set up a social life – for gays who in those days had no open clubs, no press – all social life was done in secret: and in fear.

This made life “exciting” – for some. But horrid for most: and clearly unfair and wrong. An early supporter of CHE was Reg Kilduff, the landlord of The Rembrandt hotel on Sackville Street, who was the first publican – gay himself, running a noted “queer bar” – prepared gingerly to let his name be attached openly to a gay list. Today of course every newspaper publishes gay event lists – but not then. Nobody dared. To be anything gay was a shame - a love that dared not speak its name. The young generation have no idea how things were.

And CHE were the first to come out – and in Manchester this movement was before the New York City Stonewall riots. From Manchester, CHE began to publish the very first lists of gay bars/gay meeting places, and to hold socials in hired rooms and publicly begin the first moves to openly ask for licenses to operate property an as an open gay club. We were always turned down. And this activity got CHE into considerable hot water with the London campaigners for law change who said, "You're rocking the boat". Indeed Lord Arran, who had passed through the House of Lords a bill said that said that gays could in private have relationships (if they were over 21) – he declared in the Evening Standard he’d never have pushed through such a bill if he’d realised gays would be wanting to have their own clubs.

Looking back, at times there were hilarious moments, particularly for the organisers who had bravely “come out” and passed through the first scary barriers. But we must not forget - for the membership of CHE in those early days just to be a member took great courage – for queers did live then under real fear and the repression so many lived under often resulted in blackmail and tragic suicides. No greater example than that in Manchester of the mathematician Alan Turing.

The "promised land" for CHE was to live in a world like the Dutch comrades were creating with the COC organisation in Amsterdam – caring and fun, yet serious and respected. But when CHE applied for a licence to run such a club in Burnley, the outcry was furiously led by a Roman Catholic priest beneath the slogan – “We’ll have no buggers' clubs in Burnley”. CHE persisted – constantly meetings were held – we took the main Central Library in Burnley: advertised on the buses. Ray Gosling chaired the packed and volatile public meeting.

And in the fight for clubs -“Esquire Clubs” they were to be called - the directors were not only Allan Horsfall, broadcaster Ray Gosling but the M.P. for Bootle the late Alan Roberts. Let us salute the pioneers. Our Esquire clubs never happened, but what we wanted has. It was a worthwhile battle – decently fought – and won. Partly because CHE went public – came out of the closet and argued common sense rights.

No disrespect to all the other people who played their part – but CHE played a leading role in the 1960s THE most important period in the fight for liberty – and now in Manchester it is to be honoured.

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Libertas! Women’s Bookshop

Jenny Roberts has never made any secret of the fact that she is a trans woman. She underwent gender reassignment in 1996 and identified as lesbian shortly after.  An avid reader, she found great difficulty in sourcing the lesbian and feminist books that interested her and which she felt were vital to her understanding of women’s culture. At that time there were a number of /political/community bookshops that served the feminist and lesbian market but only one shop specifically serving the feminist/lesbian community (Silver Moon in London).

Running a bookshop appealed to Jenny and she saw it as a chance to get involved in, and give something back to, the lesbian community that had accepted her so readily - rather than as a money-making project (which it never was).  Libertas! Opened its doors at 40 Gillygate, York in November 1998 with an opening ceremony by crime author Val McDermid and a massive party (an early taster for the York Lesbian Festival) in the vast Georgian magnificence of the City’s Assembly Rooms. About one hundred women were queuing outside the shop before opening and the interest was so great that numbers entering the new shop had to be regulated by staff at the entrance. The name Libertas! was suggested by one of Jenny’s friends. Libertas is the goddess of freedom and liber is the latin for both ‘book’ and ‘free’. It seemed a good name for a project serving a community which  still had so many causes to strive for.

Books were stocked on a wide variety of subjects from Women’s Studies and  feminist publications through to women’s fiction, lesbian fiction and even lesbian erotica. Local interest was however limited to the lesbian market and most straight women in the city avoided the shop because, as one of them admitted, ‘I’m concerned that people will think that I am a lesbian.’

As a consequence the stock changed to mostly lesbian and feminist publications and Libertas! became almost exclusively a lesbian bookshop attracting customers from all over the UK and known locally as ‘that lesbian shop’. Ann Croft joined Jenny in late 1999 and they ran the shop together, launching and expanding Dykelife (the monthly lesbian literary catalogue) and the online website www.libertas.co.uk.

The shop thrived and over the course of the first few years Libertas! became something of a  a focus for the lesbian community. Social events included book readings with famous lesbian authors, and the ever popular women’s disco, held three times each year at St John’s College, which was always packed to capacity with women of all ages and backgrounds. An online forum was launched and, to this day remains one of the most popular – and most friendly – online discussion sites for lesbians.

‘This was a very special and exciting time in our lives,’ recalls Jenny, ‘Libertas! had become an incredible force for good. Women who were scared of their new found sexuality came into the shop for reassurance and to build their confidence. Closet lesbians saw the shop as a kind of oasis in a straight world. Radical feminists visited to buy the latest political tract and, at the other extreme, we had a regular stream of young (and not-so-young) women seeking erotica or manuals on lesbian sex, as well as books featuring lesbian romance. Lesbian detective stories were always popular along with classics that many of our customers had never had the chance to access. Goodness knows how many romances began in there among the bookshelves!’

The web site and the circulation of Dykelife continued to grow apace and, in the autumn of 2000 the first very small Lesbian Festival was held and proved so popular that it was expanded in the following years to become a major event in the lesbian year.

Libertas! would have survived and prospered for many years, had circumstances not altered radically. However it was not to be. While demand for lesbian books remained very high the number of publishers began to shrink alarmingly as the big bookshops concentrated on money spinners. The Women’s Press, the backbone of lesbian and women’s publishing, began to wind down. The spectacular range of books from Sapphire (part of Virgin) was axed. Various other small lesbian publishers closed, even Diva Books, so vibrant in its early years, soon began to lose momentum. The number of new lesbian titles shrank from over 100 per year down to about 40. Libertas! began importing the new style of lesbian saga fiction from the USA and this countered the trend a little, but it was not enough to stave off the inevitable consequences. Silver Moon, the only other women’s bookshop in the UK – and themselves publishers of many lesbian books -  closed in 2001 (it eventually became part of Foyles, though in a vastly different form).

 

Jenny remembers the sinking feeling that they were fighting a losing battle. ‘We were very sad when Silver Moon closed its doors. We saw them not as competitors but as co-workers and we sold all of the books that they published. Their demise was in no way good news for the rest of us, who were also struggling to serve the lesbian market. We had almost begun to make a profit at the end of the first three years but, as the number of new books declined, our losses began to rise again. Running a bookshop is expensive and difficult. The profit margin per book is very small and we reckoned we needed to sell at least one thousand books every month simply to cover our costs. We were nearly there when the number of books published began to fall dramatically. Furthermore online discounters  - Amazon in particular – began eating away at our customer base. We had so many loyal customers but, without the volume of books, we knew that it was going to be very difficult to keep going.’

In an effort to stem the losses and survive, Libertas! tried to widen its range. ‘We tried selling gay men’s books. We hoped that we might get by as a gay bookshop like Gays the Word  in London but unfortunately it seemed that the only books and DVD’s that appealed to our male customers were the hard porn type and we simply weren’t prepared to stock those on principle.’

The new range of women’s sex toys did create a extra sales, particularly in the mail order side of the business, and the massive success of The Libertas! Lesbian Arts Festival had boosted revenue - but it was not enough. Jenny and Ann knew that they had to try something more radical if the shop was to survive. ‘Our lease was ending at Gillygate so we decided to buy a shop just off the main shopping area of York. The idea was to have a mainstream book and gift shop at ground level which we hoped would subsidise the new Libertas! shop on the first floor.’

Sadly the overheads remained too high for the new venture to work and losses continued to grow even faster on the Libertas! side of the business.

‘It was a very very hard decision to make, but we had seen our savings dwindle to a point where we could not contemplate continuing any longer. However we knew that our mailing service and our website were profitable so we decided that the best way forward was to cut our losses and become a simple mail order service operating from inexpensive premises with just the two of us and one helper.’

The shop closed at Christmas 2003 and a new website was launched on 1st January 2004. Traffic almost doubled at once and the new, slimmed down Libertas (tellingly without the exclamation mark) became profitable at last.

‘It was a great relief to us,’ says Ann, who looked after the site and continued to edit the Dykelife catalogue, ‘but, in all honesty, it was not the same. We missed the people, we missed the sense of being part of a real community. We still talked to customers on the phone but mostly it just became another job – we missed our team from the shop and we missed meeting the vast selection of dykes, lesbians and gay women who used to frequent the shop. Over the years they had become friends rather than just customers.’

Jenny takes up the story. ‘I suppose it is ironic, but having at last got Libertas to a point where it could survive, we felt that we had lost our ‘raison d’etre’. Making enough money to pay the bills was wonderful, but really, we felt that we had lost the business and the community that was so central to the idea right at the heart of the original Libertas!

So, in the summer of 2004, the decision was taken to sell Libertas. Millivres Prowler, publishers of Diva agreed to step in and run the mail order and online service as it had always been run ‘by dykes for dykes’. Ownership of Libertas passed to them in January 2005, since when it has continued to thrive as an online resource.

However, things change and it looks like even the remodelled Libertas is finally on its way out. The online service was amalgamated with Diva Direct in 2008, Dykelife is no longer published and only the forum remains as a true reminder of the Libertas! that once was so popular.

It is sad but we live in a world where size seems to count for everything. But at least Libertas! did exist and many of us will remember with great fondness, the five glorious years when it was a shining light for literary and not-so-literary lesbians everywhere.

| Biography |

Jenny Robert's Website

 

 

 

 

 

 

You might say that I’ve led a chequered life.

When I was born, just towards the end of the Second World War (yes that long ago!), no-one could have predicted the changes that were to shape our lives in the last part of the 20th century. Equally no-one could have predicted the route my own life would take.

Disappointingly, I was born a boy but decided to make the best of it anyway. I had a quiet childhood, living above my parents fruit and flower shop and eating spoiled fruit. When I was twelve, we moved to a smallholding on the edge of a crumbling cliff, near the sea, where I spent many hours walking with my mother on the beautiful, windswept sands. 

 Photo of Jenny Roberts Photo: www.davidxgreen.com   www.jennyroberts.net

 

 

I left home at 20 and joined a big chain store in Harrogate, measuring men’s inside legs and slicing bacon (though not at the same time). But eventually I realised that there had to be more to life than this and I married, began a small printing business and started a family - in that order. And over the next twenty years the business grew to employ 140 people and the children into two of the most wonderful people I know.

But throughout that time, the pleasure and fulfilment of my life was matched by the fear of the gender problems lurking around every corner ready to ambush me. So in 1980, driven by a fear of who I really might be, and the worry of upsetting the lives of those around me, I took up running. First marathons, then, within 5 years, ultra distance races of anything up to 140 miles in one go, and training up to 180 miles a week. My athletic ‘career’ and my flight from my problems culminated in the 154 mile Sparta to Athens race in 1992 (which I finished in 32 hours).

But, by this time, I’d had enough of running away and I’d had quite enough of pretending to be someone who I wasn’t. I began to let go of the notion that ‘these things happen to other people’ and started to believe in myself. In 1996, everything began to become right and I underwent ‘corrective’ surgery finally assuming the life I’d always known was right.

I thought that was that. (Well you would wouldn’t you?)

But there was more. Within the space of a year, I realised that I was not the heterosexual, stereotypical woman that I had taken myself for. It was a shock (a nice one) and, from the moment that I identified as lesbian, all the pieces fitted perfectly.

Within the short space of three years I wrote my first book Needle Point, opened Libertas! Women’s Bookshop in York and fell in love with the woman who is now my life partner - my gorgeous Ann. (We tied the knot in a civil partnership ceremony in 2006.)

I found the job of running a women’s bookshop both exciting and fun and, with Ann, I also enjoyed organising the first four of the big Lesbian Arts Festivals in York which attract thousands of friendly lesbians to the city every year. It has been a privilege for me to be able to give something back to a women’s community that has been so supportive of me. Don't believe the stereotypes - lesbians are warm and wonderful women.

Libertas is now owned and run by others and the festival, too, continues to thrive with the help of a hard working group of women who took it over in 2004.

For me, I continue to love writing. I love giving people pleasure through storytelling. Eventually, I hope to have a fourth book published - something a little different this time.

More than anything though. I enjoy who I am. And I am who I want to be.

The destination has been worth the journey.

And the journey has been a homecoming.

 

 

 

| Interview |
Back from the Dead
Reprinted courtesy of Shout! Magazine www.shout.connectfree.co.uk

Mark Michalowski
talks to Jenny Roberts.

Dead Reckoning, published by Diva books, follows not-quite-so hot on the heels of her previous successful novels, Needle Point and Breaking Point - thousands of fans have been impatiently awaiting the return of Cameron McGill, Roberts’ lesbian heroine.

‘Between 2001 and 2002,’ explains Roberts, ‘Libertas [the women’s bookshop in York that Roberts opened], and the Lesbian Arts Festival dominated an already busy life. As a consequence my writing time suffered and I couldn't finish Dead Reckoning properly until after I had passed on Libertas and the festival to other people last year.’

Roberts makes no secret of the fact that she was born a man and is now, very happily, a woman. Dead Reckoning is Roberts’ first novel to make transgender issues its core. ‘Actually,’ Roberts says, ‘I hate the term transgender as it lumps a whole range of very dissimilar people under one label. I identify primarily as a dyke but openly admit to being transsexual. I try and pick what might be described as a different alternative lifestyle for each of my books. In Needle Point it was squatting and squatting politics, in Breaking Point it was animal rights. When I came to start Dead Reckoning I wanted to pay some sort of homage to the city and the lgbt community that helped me so much - so I chose the gay village and Greater Manchester as the backdrop - and the secrecy and difficulties faced by two of the local cross-dressers became the basis for the plot. There is no reason why I waited until the third book. I simply didn't think of the plot until then!’

Roberts doesn’t think there’s much of herself in her heroine, Cameron McGill: ‘I hope that I share Cameron's ethical approach to life but I'm pretty sure I fall short. She's much younger than me, better looking and much more courageous/brave/foolhardy than I am. And while I admire many of
her qualities, she remains at heart quite a traumatised, vulnerable and unhappy character - though someone I like enormously.

’ How does writing short stories compare to novels? ‘I prefer novels any day,’ Roberts says. ‘Short stories are only one step up from poetry for me. The story and the language has to be kept very tight, and, though they can be written in a day or two, there is little scope for description, plot or background colour. I hope to write more short stories but I will always prefer the broad canvas of a novel.

‘I wanted to write all my life but I was too occupied with family and work and too confused about my gender to focus properly. I wrote Needle Point in the year after I came out as a dyke and it was really in response to reading a mountain of women's studies books, lesbian crime and women's fiction. I had no job so, for the first time in my life, I had the time to sit down every day and make myself do it.

‘I always tell aspirant authors that they shouldn't imagine that there is anything wrong when they find that they can't just sit down and knock off a masterpiece. Nearly every published writer I know will tell you that writing is very hard. It's mostly about effort rather than inspiration. The important thing is to reserve time, to discipline yourself to write in that time (whether you feel like it or not), to get something down on paper (however bad - and that means the whole story not just one chapter) and then rewrite, rearrange, change, edit and polish until you get something that works. Even then you must be prepared to consider changing it when an editor asks you to. And you must be prepared all the time for rejection. Only the truly determined make it through to a published book, but it is definitely worth the effort!’

Roberts isn’t sure whether she agrees that lesbian detective fiction is a genre on the rise, though: ‘I used to agree with that, but recently there has been such a decline in lesbian publishing in this country that, sadly, I don't think it is any longer the case. With the ending (for the moment anyway) of Diva Books and the closure of Women's Press a few years ago, Britain is left with only one very small lesbian publisher. At the same time, the bigger publishers are often demanding projected sales of around 30,000 books before they will consider an author. A novel perceived as “too lesbian” won't even get a look-in. Dead Reckoning aside, all the current new lesbian crime books seem to be coming from the States - and even then they are few and far between. The readers are still out there but we need more publishers and we need more crime writers.’

How has life changed - and, more to the point, how has Roberts changed - since she underwent her sex-change operation? ‘I don't think that I've changed at all inside of myself as I have always felt like the person I am now. I spent 50 years pretending to be a man, being treated as a man, being excluded from women's company in the way that men are, hating straight sex and penetration and putting up with a body that I despised. Changing to the real me and identifying as lesbian after the operation was a coming-home which has broadened my horizons and given me the ability to live my life to the full. I think I've probably changed much more since I met my partner Ann. Being loved is a wonderful thing and I'm more content now than any other time in my life.’

 

But have things changed over the last few years? Does having media-friendly trans people like Nadia from last year's Big Brother help? ‘Happily,’ she says, ‘difference as a whole is becoming widely accepted and trans people are no exception. As in the caes of lesbians and gay men, the EU has been very helpful in pushing the UK government into bringing forward anti-discrimination laws. Since May I've been legally female and have a birth certificate in the name of Jenny Roberts to prove it and, thanks to the Civil Partnership Act, Ann and I can, at last, get legally hitched (as lesbians of course) around the end of this year. ‘I think that all high-profile people play some kind of a part whether we take to them or not. I admired what I saw of Nadia but since I can't stand the show, I wasn't exposed to her very much. In the end I believe that 'normalisation' of hitherto taboo lifestyles comes from people's contact with positive images. We all play a part in that and we can all help to change the prejudice that remains.’

Roberts is currently working on a spy novel, Deep Indigo, featuring another strong woman: ‘Jamie Driscoll, an ex-Army Intelligence and at some odds with the spymasters of MI5. It is still in the very early stages and, if accepted, because of the pondorous ways of publishing is unlikely to reach publication until 2007. Early next year I hope to begin the fourth Cameron McGill book which will carry on from the end of Dead Reckoning and will probably be set in Rotterdam. Apart from that Ann and I are enjoying gardening, time with our grandchildren and our two Miniature Schnauzer dogs, Cassie and Sammie.’

 

 

 

www.jennyroberts.net

© Shout! Magazine 2005

 

 

 

 

 

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